Abrimos espaço desta vez para papers em musicologia numa tentativa de se ampliarem os horizontes conceituais, estéticos e históricos. Isto é, mais do que a síntese de sons, a composição algorítmica, entre outros tópicos igualmente importantes, as fronteiras do simpósio foram expandidas de modo a se incluirem aqueles autores com background em disciplinas que de alguma maneira possam ajudar na avaliação de outras qualidades dessas pesquisas típicas da nossa área e de sua importância no cenário global da música e da ciência. O resultado, mais que satisfatório, traz sinais positivos de que a abordagem musicológica da computação musical deva estabelecer-se entre nós com o mesmo peso de qualquer um dos domínios já existentes.

   Chegar ao sétimo Simpósio Brasileiro de Computação Musical mantendo-se um nível satisfatório em todas as suas atividades, quais sejam, papers, concertos, palestras, tutoriais e mesas-redondas, se deve ao esforço de alguns pesquisadores espalhados pelo Brasil, ao apoio ininterrupto da SBC e à cooperação internacional. Muitos dos principais nomes da computação musical nos têm honrado com suas visitas, palestras, artigos e composições. Rendemos aqui homenagem a todas essas pessoas ao mesmo tempo em que damos as boas vindas aos participantes deste simpósio de Curitiba.

Aluizio Arcela
Comissão Especial de Computação Musical da SBC

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Coordenação Geral
Bernadete Zagonel - UFPR

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Aluizio Arcela, Chair, University of Brasília, Brazil
Daniel Arfib, CNRS, France
Peter Beyls, St Lukas Art School, Belgium
Georgina Born, Emmanuel College, University of Cambridge, UK
Moisei Boroda, German Association of Musicians, Germany
Márcio Brandão, University of Edinburgh, UK
Antonio Camurri, University of Genoa, Italy
Furio Damiani, State University of Campinas, Brazil
Roger Dannenberg, Carnegie Mellon University, USA
Myriam Desainte-Catherine, University of Bordeaux, France
Simon Emmerson, City University, UK
Giselle Ferreira, Open University, UK
Carole Gubernikoff, University of Rio de Janeiro, Brazil
Didier Guigue, Federal University of Paraíba, Brazil
Fabio Kon, University of Illinois at Urbana-Champaign, USA
Leigh Landy, De Montfort University, UK
Victor Lazzarini, National University of Ireland, Eire
Maurício Loureiro, Federal University of Minas Gerais, Brazil
Peter Manning, University of Durham, UK
Jônatas Manzolli, State University of Campinas, Brazil
Eduardo Miranda, Lamesm, Federal University of Santa Maria, Brazil / Sony CSL-Paris, France
Axel Mulder, Infusion Systems Ltd., Canada
Richard Orton, University of York, UK
Carlos Palombini, Chair, Federal University of Pernambuco, Brazil
Geber Ramalho, Federal University of Pernambuco, Brazil
Alistair Riddell, Queensland University of Technology, Australia
Conrado Silva, Univertsity of Brasília, Brazil
Steve Sweeney-Turner, University of Leeds, UK
Rick Taube, University of Illinois at Urbana-Champaign, USA
Petri Toiviainen, University of Jyväskylä, Finland
Barry Truax, Simon Fraser University, Canada
Mirjana Veselinovic-Hofman, Belgrade University of Arts, Yugoslavia
Marcelo M. Wanderley, IRCAM, Centre Georges Pompidou, France
Luke Windsor, University of Leeds, UK

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INVITED PAPERS

Artificial Intelligence, Machine Learning, and Music Understanding
Roger Dannenberg

Co-hear-ence and Electroacoustic Music
Leigh Landy

PAPERS I
Cordination: Aluizio Arcela

From 'Music V' to 'Creative Gestures in Computer Music'
Daniel Arfib
Loïc Kessous

Some Applications of the Sound Object Library
Victor Lazzarini

Categorising Complex Dynamic Sounds
James Correa
Eduardo Miranda
Joe Wright

Automatic Segmentation of Musical Flows: A Rational Agents Approach
Edilson Ferneda
Didier Guigue
Ernesto Trajano

PAPERS II
Coordination: Conrado Silva

Musicians and Movements That Initiated Electroacoustics in Brazil
Vania Dantas Leite

Dossier M-8: A Contribution to the Study of the History of Brazilian Algorithmic Computer Music
Jorge Antunes

PAPERS III
Cordination: Maurício Loureiro

Making Sense of Schaeffer's 'Philosophy'
Paulo Akamine

Ideas for a Musicology of Electroacoustic Musics: Notes to a Reading of Landy
Carlos Palombini

Social and Perceptual Dynamics in Ecologically-Based Composition.
Damián Keller

PAPERS IV
Coordination: Rodolfo Caesar

Gesture, Facture, Allure: The Sculptor Molds the Clay
Leonardo Aldrovandi

Sound Models, Metaphor and Mimesis in the Composition of Electroacoustic Music
Denise Garcia

Loop-interpolation-random&gesture: déjà vu in computer-aided composition
Leonardo Aldrovandi
Silvio Ferraz

PAPERS V
Coordination: Eduardo Miranda

Benchmarking Wave-to-MIDI Transcription Tools
Sérgio Cavalcante
Germano Guimarães
Henrique Leão
Geber Ramalho

Authomatic Identification of Frequencies of Musical Notes in Polyphonics Wave Files
Carlos A. L. da Silva
Antônio C. P. Veiga
Gilberto Arantes Carrijo
Luciano Viera Lima

Creating Graphical Metaphors of Music with the Alma Environment
Alain Bonardi
Francis Rousseaux

Time-Trees as Virtual Worlds
Aluizio Arcela

Composing with Interactive Genetic Algorithms
Jônatas Manzolli
Artemis Moroni
Fernando Von Zuben

Elementaridades: A Composition Based on Elementary Particle Model and Expressive Motion
Joana Lopes
Adolfo Maia Jr
Jônatas Manzolli
Raul do Valle

PAPERS VI
Coordination: Geber Ramalho

MHITS: A Musical Harmony Intelligent Tutoring System
Adriano Caminha
Evandro Costa
Edilson Ferneda
Luciênio Teixeira

Extending the Musical Capabilities of a Multimedia Authoring Environment
Luciano Flores
Rosa Viccari
Marcelo Pimenta

AudioFix: Analysis and Correction of Acoustic Response with Digital Signal Processing
Ronaldo Correia
Edivaldo Pereira

Using New and Stable Wavelet Coefficients in Instrument Sound Analysis
João Dovicchi

Study of the Timbre Dynamics of an Expressive Performance Using Principal Component Analysis of Spectral Parameters
Maurício Loureiro
Hugo de Paula and Hani Yehia

A Non-Linear Sound Synthesis Method
Jônatas Manzolli
Furio Damiani
Peter Jürgen Tatsch
Adolfo Maia Jr.

PAPERS VII
Coordination: Didier Guigue

Computer Search for Informative Features in the Problem of Differentiation of Melodies by Their 'Nationality'
Irina V. Bakhmutova
Vladimir D. Gusev
Tatiana N. Titkova

In Search of Musical Fitness on Consonance
Eleonora Bilotta
Pietro Pantano

Viuhka: A Compositional Environment for Musical Textures
Mikael Laurson

A Robot Based Interactive Composition System
Jônatas Manzolli
Klauss Wassermann
Mark Blanchard
Paul Verschure

Data Culture Generation - After Content, Process as Aesthetic
Alistair Riddell

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